I don’t know about you but I still get shy at times when shooting in densely populated areas. Despite growing up in New York City and always living in areas with lots of people, I admit that I am not always comfortable with people staring at me while shooting. Don’t get me wrong, it never prevents me from going out and getting shots, but it is something worth bringing up.
I remember shooting this diner on the west side of Manhattan. People walking around would stop, tilt there heads, and wonder why I would want to perch myself in front to shoot it. Then you have the people sitting inside, staring at me. All of this is static serving as a distraction to your concentration – if you let it.
Each photographer has their own way of achieving concentration. Some affix earbuds in their ears and listen to music while others just mentally tune it all out. And still some certainly welcome the cacophony of pedestrian and auto traffic noise. I am one of those latter sorts. I absolutely love the sound of city life. I absorb it and let it bring me to a state of peace. It is what I grew up with and am most comfortable around.
The key is to acknowledge that there are going to be distractions but, even more importantly, it’s critical to know how you, as an individual photographer, can deal with and mitigate these distractions in order to find that peace of mind and concentrate on the image in front of you.
In terms of processing
This one goes back into ye ole’ archives. 2010 was the year. I got nine brackets using my trusty Promote Control. Tone-mapping happened in Photomatix.
Stylization occurred in PhotoTools 2.5 by. This was a combination of my favorite effect of all time, Blue Dawn Leonidas, and some Deep Forest Glow.
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