I cannot get enough of this burnt out place located near where I live in Portland. It offers so much groovy material for photographers, allowing for a wide variety of exercises to train the mind and the eye. You just need to keep yourself open to experimentation.
One such experiment I tried was to use elements within my scene to serve as a frame. This shot below is a perfect illustration of that. The first round of shots from this very narrow room were taken well within the doorframe. I had the upper and lower lines of the outer walls terminate in the corners of my frame and, while it was a fun shot, it didn’t prove to be nearly as compelling as when I took a few steps back and included this charred doorframe into the mix.
I feel that by doing so, I introduced extra dimension to the image. The eye has a reference point of where I was standing and can begin to generate ideas of how deep this room may be.
Also, we shouldn’t discount the aesthetic quality of using this element to create a frame within a frame, as it were. I love seeing applications of this, whether it be by using tree branches or creatively arranged buildings – it all works really nicely when the intent is made clear.
In terms of processing
It’s pretty straight forward here. This is a tone-mapped HDR image taken with my Canon 5D Mark II (using Magic Lantern) and the Canon TS-E 17mm f/4L lens. I shifted the lens to achieve those nice rectilinear lines throughout the frame. Tone-mapping was achieved using Photomatix.
Stylization was totally premeditated in the field. I used Urban Sickness as my foundation effect and a custom Tone Enhancer to bring out some of the texture in the walls. All of this was achieved in Perfect Effects 3 by.
I used FocalPoint 2 in a very slight way to drop focus in the outer areas of the frame. I finished things off by using an adjustment brush in Lightroom 3 to dodge selective areas with bright graffiti and the reflection in the puddle on the ground.
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